TY  - BOOK
AU  - Sahakian,Emily
TI  - Staging creolization: women's theater and performance from the French Caribbean 
T2  - New world studie
SN  - 9780813940076
AV  - PQ3943 .S734 2017
PY  - 2017///
CY  - Charlottesville
PB  - University of Virginia Press
KW  - Césaire, Ina
KW  - Condé, Maryse
KW  - Dambury, Gerty
KW  - Schwarz-Bart, Simone
KW  - Ubu Repertory Theater
KW  - Caribbean drama (French Creole)
KW  - History and criticism
KW  - Women authors
KW  - Theater
KW  - Caribbean, French-speaking
KW  - History
KW  - 20th century
KW  - Women in literature
KW  - Cultural fusion
KW  - Electronic Books
N1  - 2; Introduction --; Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes --; Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes --; Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine --; Diaspora performances at Ubu Repertory Theater in New York --; Recasting the Francophone Caribbean couple at Ubu Repertory Theater --; Coda: creolizing knowledge in U.S. university performances; 2; b
N2  - "Emily Sahakian examines plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization --
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1548800&site=eds-live&custid=s3260518
ER  -