TY  - BOOK
AU  - Walton,Saige
TI  - Cinema's baroque flesh: film, phenomenology and the art of entanglement 
SN  - 9789048528493
AV  - PN1995 .C564 2016
PY  - 2016///
CY  - Amsterdam
PB  - Amsterdam University Press
KW  - Motion pictures
KW  - Aesthetics
KW  - Electronic Books
N1  - 2; Cover; Table of contents; Acknowledgements; Introduction; Flesh and its Reversibility; Defining the Baroque; 'Good Looking'; A Cinema of Baroque Flesh; 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility; Baroque Vision and Painting the Flesh; Baroque Flesh; Analogous Embodiments: The Film's Body; Baroque Vision and Cinema; Summation: Face to Face-Feeling Baroque Deixis; 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions; Synaesthesia, Phenomenology, and the Senses; Cinesthesia and the Bel Composto; A Passionate Baroque: Emotion, Excess, and Co-Extensive SpaceAssault and Absorption: Cruel Baroque; Summation: Beside Oneself; 3. Baroque Skin/Semiotics; Chiasm: Language and Experience; Baroque Poetic Language and the Seventeenth-Century Infinite; Baroque Luxury; Skin-Deep: Baroque Texturology; Tickles: Baroque Wit; Summation: Cine-Mimesis; 4. One Hand Films the Other: Baroque Haptics; Touching-Touched; Haptic Visuality and the Baroque; Baroque Haptics and Cinema; Analogical Assemblages: Baroque Databases; Summation: TEXXTURE; Conclusion: Or the Baroque 'Beauty of the Act'; Notes; 2; b
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1398129&site=eds-live&custid=s3260518
ER  -