TY  - BOOK
AU  - Kreimeier,Klaus
AU  - Ligensa,Annemone
TI  - Film 1900: technology, perception, culture 
SN  - 9780861969166
AV  - PN1993 .F556 2009
PY  - 2009///
CY  - New Burnet, England
PB  - John Libbey
KW  - Motion pictures
KW  - History
KW  - 20th century
KW  - Film
KW  - Filmtechnik
KW  - Electronic Books
N1  - "This collection is based on the conference 'New Paradigms of Perception: Changes in Media and Culture around 1900' held at the University of Siegen, Germany, in November 2006"--Page 248; 1; Introduction: Triangulating a turn: film 1900 as technology, perception and culture; Annemone Ligensa --; Archaeologies of interactivity: early cinema, narrative and spectatorship; Thomas Elsaesser --; Viewing change, changing views: the 'history of vision'-debate; Frank Kessler --; The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse; Ben Singer --; Mind the gap: the discovery of physiological time; Henning Schmidgen --; 'Is everything relative?' : cinema and the revolution of knowledge around 1900; Harro Segeberg --; The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema; Jörg Schweinitz --; Between observation and spectatorship: medicine, movies and mass culture in imperial Germany; Scott Curtis --; The scene of the crime: psychiatric discourses on the film audience in early twentieth century German; Andreas Killen --; Seen through the eyes of Simmel: the cinema programme as a 'modern' experience; Andrea Haller --; 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin; Pelle Snickars --; Perceptual environments for films: the development of cinema in Germany, 1895-1914; Joseph Garncarz --; 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914; Ian Christie and John Sedgwick --; The attraction of motion: modern representation and the image of movement; Tom Gunning --; 'Dashing down upon the audience': notes on the genesis of filmic perception; Klaus Kreimeier --; German Tonbilder of the 1900s: advanced technology and national brand; Martin Loiperdinger --; Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion'; Michael Wedel --; 'A cinematograph of feminine thought': The dangerous age, cinema and modern women; Annemone Ligensa --; Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays; Nicola Glaubitz; 2; b
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