Ohne Worte : vocality and instrumentality in 19th-century music /
Edoardo Torbianelli, Jeanne Roudet, Jean-Pierre Bartoli, Douglas Seaton, Hubert Moßburger ; edited by William Brooks.
- Leuven : Leuven University Press, (c)2014.
- 1 online resource (227 pages) : music.
- Collected writings of the Orpheus Institute ; #12 .
Includes bibliographical references.
Playing with images : character and emotion in the age of romanticism / "Inner voices' and "deep combinations" : Robert Schumann's approach to romantic polyphony / Frédéric Chopin, Clara Schuman, and the singing piano school / Vocal patterns in the themes of Berlioz's instrumental music / Plot and narrative in Mendelssohn's chamber music for strings and piano / Robert Schumann's poetic paraphrases : analytical implications / Edoardo Torbianelli -- Hubert Moßburger -- Jeanne Roudet -- Jean-Pierre Bartoli -- Douglass Seaton -- Hubert Moßburger
What can music tell us - without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In this book five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.
9789461661616 9461661614
Vocal music--History and criticism.--Europe--19th century Instrumental music--History and criticism.--Europe--19th century Composers--Europe.