TY  - BOOK
AU  - Somigli,Luca
TI  - Legitimizing the artist: manifesto writing and European modernism, 1885-1915 
T2  - Toronto Italian studies
SN  - 9781442621060
AV  - N6758 .L445 2015
PY  - 2003///
CY  - Toronto, Ontario
PB  - University of Toronto Press
KW  - Modernism (Art)
KW  - Europe
KW  - Modernism (Literature)
KW  - Futurism (Art)
KW  - Futurism (Literary movement)
KW  - Avant-garde (Aesthetics)
KW  - History
KW  - 19th century
KW  - 20th century
KW  - Revolutionary literature
KW  - History and criticism
KW  - Kunst
KW  - Kunstenaars
KW  - Künstler
KW  - Legitimiteit
KW  - Manifesten
KW  - Ästhetik
KW  - Electronic Books
N1  - 2; Introduction: The Artist in Modernity --; 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics --; A History of the Manifesto (1550-1850) --; How to be a Decadent: Art, Politics, and Society in the --; Manifestoes of Anatole Baju --; 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism --; From Decadentism to Futurism --; Advertising Futurism --; 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism --; 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 --; The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde; 2; b
N2  - In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=933499&site=eds-live&custid=s3260518
ER  -