TY  - BOOK
AU  - Post,Jennifer C.
AU  - Yoon,Sunmin
AU  - D'Evelyn,Charlotte
TI  - Mongolian sound worlds /edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D'Evelyn
SN  - 9780252053368
AV  - ML3917 .M664 2022
PY  - 2022///
CY  - Urbana
PB  - University of Illinois Press
KW  - Music
KW  - Social aspects
KW  - Mongolia
KW  - China
KW  - Inner Mongolia
KW  - History and criticism
KW  - Mongols
KW  - Electronic Books
N1  - 2; Introduction. Mongolian Sound Worlds : Opening Snapshots; Sunmin Yoon --; PART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe; Oktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds; Jennifer C. Post --; PART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond; Tamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia; Charlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu; Sunmin Yoon ; Gendered Musicality in the Altai Mountains; Rebekah Plueckhahn --; PART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition; Bayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History; Peter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces; Otgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia; Jennifer C. Post --; PART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview; Andrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present; Johanni Curtet ; Mongolian Music, Globalization, and Nomadism; Andrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music; Peter K. Marsh; 2; b
N2  - "Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
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ER  -