TY  - BOOK
AU  - Mahan-Cox,Sallye
TI  - Discovering drawing /Sallye Mahan-Cox
T2  - Davis Studio Series
SN  - 9781615286683
AV  - NC730 .D573 2018
PY  - 2018///
CY  - Worcester, Massachusetts
PB  - Davis Publications, Incorporated
KW  - Drawing
KW  - Technique
KW  - Study and teaching
N1  - WHAT IS DRAWING? --; A brief history of drawing --; The purposes of drawing --; Drawing for design:  Michael Graves tea kettle --; Drawing becomes:  Roy Lichtenstein sculpture --; Criticism and the critical process --; Art fundamentals:  Line in mark-making --; Drawing media and materials --; How to:  Create an oil pastel --; Sketchbooks --; `Drawing on history:  Delacroix's Moroccan sketchbooks --; Finding inspiration --; Originality --; Study drawings --; Nontraditional approaches:  Sonja Hinrichsen --; Studio experience:  Study drawing and original drawing -- Career Profile:  Mohamed Zakariya --; THE BASICS --; A brief history of drawing elements and principles --; The formal language of art:  The elements of art -- The principles of design --; Drawing for design:  Bauhaus weaving workshop --; Art fundamentals:  Color theory --; Drawing on history:  Goethe's theory of color --; Observational drawing --; Line drawing --; How to:  Draw a tree from observation --; Basic shapes --; Framing and sighting --; How to:  Use sighting --; Organizing a composition --; Drawing becomes:  Spoonbridge and Cherry --; Nontraditional approaches:  Drawbots --; Studio experience:  Conducting a visual investigation -- Career profile:  Nancy Burns --; STILL LIFE --; A brief history of drawing still life --; Organizing a still life --; Defining forms with value --; How to:  Draw a still life in contour line --; Drawing for design:  an iconic chair --; Defining forms in space --; Single objects as still life --; Drawing on history:  The index of American design --; How to:  Draw a paper bag --; Collage --; Drawing on history:  Papier colle --; Still life as metaphor --; Drapery --; How to:  Draw drapery folds, shadows, and highlights --; Drawing becomes:  Draper study for a portrait --; Space in still life --; Art fundamentals:  Space (element of art) --; Nontraditional approaches:  Katharine Morling --; Studio experience:  Draped corner still life -- Career profile:  Sean Huxter --; DRAWING LANDSCAPES --; A brief history of drawing landscapes --; Seeing and organizing landscapes --; Drawing on history:  Thomas Moran and the American landscape --; Organizing space with grounds --; How to:  Organize a landscape --; Alternate ways of seeing landscape --; Drawing becomes:  Kimono art of Itchiku Kubota --; The elements of landscape --; Art fundamentals:  Negative space --; How to:  Develop a night landscape --; Creating space with Aerial perspective --; Drawing for design:  The high line --; Eye levels --; Nontraditional approaches:  Monika Grzymala --; Studio experience:  Drawing a landscape -- Career profile:  Derrick Wolbaum --; THE BUILT ENVIRONMENT --; A brief history of drawing the built environment --; Organizing constructions in space --Linear perspective --; How to:  Draw a city street in one-point perspective --; Drawing on history:  Kevin Lynch and the image of the city --; Point of view and the built environment --; Drawing for design:  The Holland prize --; How to:  Draw with ink and wash --; Art fundamentals:  Intentionality and perspective --; More ways to look at the built environment --; How to:  Create a charcoal wash --; Expressive uses of the built environment --; Drawing on history:  Piranesi's dark visions --; Drawing becomes:  Christo and Jeanne-Claude's wrapped Reichstag --; Nontraditional approaches;  Terry Winters --; Studio Experience:  Drawing your home -- Career profile:  Shiyao Liu --; THE FIGURE --; A brief history of figure drawing --; Purposes of figure drawing --; Ideal figures --; Drawing on history:  The classical ideal --; Figure anatomy --; How to:  Draw with continuous line --; Drawing for design:  Medical illustration --; The artist and the model --; How to:  Draw a sighted figure --; Drawing becomes:  Michelangelo's study for the Libyan Sibyl --; Foreshortening the figure --; Art fundamentals:  Repetition and intensity --; Figure poses and movement --; Drawing on history:  Abraham Walkowitz and Isadora Duncan --; The figure in contour and value --; Drawing on history:  Allan Houser's ghost dancers --; Expression and the figure --; Nontraditional approaches:  Heather Hansen --; Studio experience:  Drawing on the canon -- Career profile:  Karla Monterrosa --; PORTRAITS --; A brief history of drawing portraits --; Portraits as documents --; Portraits as illustration and exploration --; Drawing becomes:  Making an Ukiyo-e woodblock print --; Working with a model --; The portrait poses --; Art fundamentals:  Contrast (principle of design) --; Anatomy and the portrait --; Drawing for design:  One-sheet movie poster --; Contour portraits --; How to:  Create lighting effects --; Focus on the features --; How to:  Draw facial features --; Drawing on history:  Hockney's camera obscura --; Relating the features --; How to:  Create a Trois crayons portrait --; Expressions --; Nontraditional approaches:  Marlene Dumas --; Studio Experience:  Grounded charcoal portrait --  Career profile:  Robert Liberace --; DRAWING ANIMALS --; A brief history of drawing animals --; Basic shapes and animal anatomy --; Drawing becomes:  Henry Moore's sheep --; Observing animals --; How to:  Create an animal value study --; Drawing for design:  Beatrix Potter's animals --; Exotic animals --; Drawing animals in motion --; Drawing on history:  Muybridges's motion studies --; Art fundamentals:  Visual or implied texture --; Animals with a message --; How to:  Use drawing with digital imaging --; Nontraditional approaches:  Kim Nam-Pyo --; Studio experience:  A hybrid animal -- Career profile:  David Sibley --; MAKING MEANING THROUGH DRAWING --; A brief history of making meaning through drawing --; The artistic process --; How to:  Create a series --; Art fundamentals:  Rhythm and movement (Principle of Design) using texture --; Exploring big ideas -- What is a big idea? -- Personal connections --; How to:  Use mark-making as visual language --; Drawing for design:  Data made meaningful --; Personal symbolism --; Drawing becomes:  Aaron Douglas illustrations --; Abstract and nonobjective art --; Drawing on history:  Conceptual drawing --; Nontraditional approaches:  Hew Locke --; Studio experience:  Visual conversation -- Career profile:  Lee Bontecou --; IMAGINARY WORLDS --; A brief history of drawing imaginary worlds --; Creating imaginary worlds --; Seeing the real world imaginatively --; Drawing on history:  The lunar lander --; The tools of the imagination --; Art fundamentals:  Absurdity --; Creating a narrative --; Drawing for design:  Video game concept art --; Cartoons and comics --; Superheroes --; Monsters --; Drawing on history:  Monster myths --; Drawing becomes:  Creature creation --; How to:  Work with markers --; Nontraditional approaches:  Phlegm --; Studio experience:  Making a storyboard -- Career profile:  Sean Andrew Murray; 2; b
N2  - By emphasizing both technique and creativity, Discovering Drawing highlights the importance of discipline and self-expression.  This comprehensive guide to drawing subjects, techniques, and skills addresses the unique demands of contemporary classrooms
ER  -