TY  - BOOK
AU  - Baddour,J.Charlene
TI  - The significance of art in relation to the gospel /by J. Charlene Baddour
AV  - BV4070 .S546 1968
PY  - 1968///
KW  - Columbia Bible College
KW  - Dissertations
KW  - Art, Modern
KW  - Painting, Modern
KW  - Christian art and symbolism
N1  - Typescript; A Chronology of Nineteenth and Twentieth Cnetury Art Movements; Twentieth Century Painters; Part I; Chapter I. Introduction; Chapter II. The Purpose of Art; Chapter III. The Philosophical Background to Modern Painting; Chapter IV. Modern Painting; Part II; Chapter V. Christian Art Defined; Chapter Virgin Islands The Christian Artist Expressing the Christian Message; Chapter Virgin IslandsI. The Place of Christian Art in the Cause of Christ; List of Illustrations; Bibliography: leaves 118.-120; Statement of the Problem --; Importance of and Interest in this Study --; Source and Material --; Method of Procedure; The Modern Artist's Purpose --; The Impressionists --; The Expressionists --; The Cubists --; The Dadaists and Surrealists --; The Abstract Expressionists --; The Abstractionists --; The Biblical Position Regarding Art; Hegel --; Kierkkegaard --; Sartre; The Impressionists --; The Expressionists --; Cubism --; Expressionism --; Dada and Surrealism --; Abstract Expressionism --; Pop Art, Op Art, and Minimal Art --; Art is Dead Movement --; A Christian Analysis of Modern Painting; The Supreme Creator and Ruler of the Universe --; Criteria --; Christian Message in Two Parts --; The Problem of Unity; An Example --; Subject Matter --; Technique; Cezanne: "La Montagne Sainte Victorie," 1904, from A Concise History of Modern Painting by Read --; Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille --; Van Gogh: "Portrait of the Artist," Paris, 1887, from Van Gogh by Genaille --; Van Gogh: "Portrait of the Artist," 1889, from Van Gogh by Genaille --; Van Gogh: "Last Portrait of the Artist," Saint-Remy, 1890, from Van Gogh by Genaille --; Munch: "The Cry," from A Concise History of Modern Painting by Read --; Picasso: "Les Demoiselles de'Avignon," 1907, from A Concise History of Modern Painting by Read --; Ensor: "The Intrigue," 1890, from Modern Painting III (Expressionists to Surrealists) by Muller --; Chagall: "Maternity," 1913, from A Concise History of Modern Painting by Read --; De Chirico: "Departure of a Friend," 1913, from De Chirico by Helwig --; De Chirico: "Mystery and Melancholy of a Street," 1914, from De Chirico by Helwig --; De Chirico: "Melancholy of an Autumn Afternoon," 1915, from De Chirico by Helwig --; Leger: "Solider with Pipe," 1916, from A Concise History of Modern Painting by Read --; Dechamp: Le passage de la Vierge a la Mariee," 1912, from A Concise History of Modern Painting by Read --; Miro: "Nocturnal Bird," 1939, from Modern Painting IV (Abstract Painting) by Elgar --; Miro: "The White Lady," 1950, from Modern Painting IV (Abstract Painting) by Elgar --; Miro: "Snob Evening at the Princess's," 1944, from Modern Painting IV (Abstract Painting) by Elgar --; Dali: "Bacchanalia," 1933, from Modern Painting III (Expressionists to Surrealists) by Muller --; Dali: Giraffe on Fire," 1935,  from Modern Painting III (Expressionists to Surrealists) by Muller --; Dali: "Premonition of Civil War," 1936, from A Concise History of Modern Painting by Read --; Klee: "La belle Jardiniere," 1939, from A Concise History of Modern Painting by Read --; Klee: "Battle scene from the fantastic comic opera, 'Sinbad the Sailor,'" 1923, from A Concise History of Modern Painting by Read --; Klee: "The Niesen," 1915, from Modern Painting V (Abstract Painting) by Elgar --; Klee: "Sailor," 1940, from Modern Painting V (Abstract Painting) by Elgar --; Kandinsky: "Composition No. 2," 1910, from A Concise History of Modern Painting by Read --; Kandinsky: "First Abstract Work Water-Colour," 1910, from Modern Painting V (Abstract Painting) by Elgar --; Kandinsky: "The Black Circle," 1923, from Kandinsky by Volboudt --; Kandinsky: "Yellow Accompaniment," 1924, from A Concise History of Modern Painting by Read --; Kandinsky: "Contact," 1924, from Kandinsky by Volboudt --; Kandisnky: "Accent in Pink," 1926, from Kandinsky by Voldboudt --; Kandinsky: "Composition X," 1939, from Kandinsky by Volboudt --; Mondrian: "Oval Composition (Picture III)," 1914, from Mondrian by Seuphor --; Mondrian: "Composition in Grey, Blue, and Pink," 1913, from Mondrian by Seuphor --; Mondrian: "Composition in Blue B," 1917, from Mondrian by Seuphor --; Mondrian: "Composition in Greyish-Blue C," 1912, from Mondrian by Seuphor --; Mondrian: "Square Composition in Red, Yellow and Blue," 1926, from Mondrian by Seuphor --; Mondrian: "Composition," 1921, from Mondrian by Seuphor --; Mondrian: "Composition with Red, Yellow, and Blue," 1921, from A Concise History of Modern Painting by Read --; Malevich: "Suprematist Composition," 1915, from A Concise History of Modern Painting by Read --; Beckmann: "Departure," 1932-35, from Modern Painting V (Abstract Painting) by Elgar --; Pollock: "Painting No. 12," 1952, from Modern Painting V (Abstract Painting) by Elgar --; Pollock: "War," 1947, from A Concise History of Modern Painting by Read --; Rothko: "Number 10," 1950, from A Concise History of Modern Painting by Read --; Rothko: "Sassrom," 1958, from Modern Painting V (Abstract Painting) by Elgar --; Rembrandt: "Portrait of the Artist. C," 1929, from Rembrandt by Genaille --; Rembrandt: "Portrait of the Artist," between 1652 and 1655, from Rembrandt by Genaille --; Rembrandt: "Portrait of the Artist. C," 1665, from Rembrandt by Genaille --; Rembrandt: "The Artist Laughing. C," 1668, from Rembrandt by Genaille --; Durer: "The Little Piece of Turf," Albertina, Vienna, from Reader's Digest, March 1967 --; Durer: "Bunch of Violets," 1502, from Reader's Digest, March 1967 --; Durer: "Young Hare," 1502, from Reader's Digest, March 1967 --; Durer: "Hands of an Apostle," 1508, from Reader's Digest, March 1967; 2
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