TY  - BOOK
AU  - Paynter,John
TI  - Companion to contemporary musical thought
AV  - ML55.P346.C667 1992 
PY  - 1992///
CY  - London, New York
PB  - Routledge
KW  - Music
KW  - History and criticism
KW  - Philosophy and aesthetics
N1  - 2; Volume 1. Music, the modern world, and the burden of history; Wilfrid Mellers --; Part I : People and music.  Music and people : the import of structure and form; John Paynter --; Music, non-music and the soundscape; R. Murray Schafer --; Music in concert and music in the background : two poles of musical realization; Hanns-Werner Heister --; Public performance and the concert as categories of musical action; Imgard Bontinck --; What makes music musical? / Keith Swanwick --; The action value of musical experience and learning; Thomas A. Regelski --; Music as cultural text; John Shepherd --; Music and the arts in pre-Renaissance and Renaissance worship : a question of "expression" / Peter Le Huray --; Handel's ghost : the composer's posthumous reputation in the eighteenth century; Ellen T. Harris --; On patronage : "Musick, that mind-tempering art" / Anthony Rooley --; Cloverleaf : a little narrative with several "off-ramps" / Lou Harrison --; Speculative music : the numbers behind the notes; Joscelyn Godwin --; Text, context, music; Istvan Anhalt --; On making music out of music; Edwin London --; Verso-l'uno; Walter Branchi; Part II : The technology of music.  Musical, cultural and educational implications of digital technology; Richard Orton --; A technological approach to music; F. Richard Moore --; Towards a new age in the technology of computer music; Peter Manning --; Electroacoustic music and the soundscape : the inner and outer world; Barry Truax --; Composition with machines; Curtis Roads --; Artistic necessity, context orientation, configurable space; Craig R. Harris --; Flying through a musical space : about real-time composition; Joel Chadabe --; Music and image on film and video : an absolute alternative; David Kershaw --; New musical instruments in the computer age : amplified performance systems and related examples of low-level technology; Hugh Davies --; The listening imagination : listening in the electroacoustic era; Denis Smalley --; Composers and audiences : new relationships in the technological age; Bruce Pennycook --; Music and technology : problems and possibilities; Trevor Wishart --; Composing sounds with computers; Jean-Claude Risset; Volume 2. Part III : The structure of music.  Does it really mean anything? Some aspects of musical meaning; Lorentz Reitan --; Musical analysis : commentaries; Jonathan Dunsby --; Analysis and psychoanalysis : Wagner's musical metaphors; Christopher Wintle --; Analysis and performance : the search for a middleground; Tim Howell --; Analysis and the computer; Robert Sherlaw-Johnson --; New directions : the conception and development of a composition; Jonathan Harvey --; Morty Feldman is dead; James Fulkerson --; From improvisation to composition; Richard Orton --; Improvisation; Neil Sorrell --; Improvisation, cognition and education; Eric F. Clarke --; Psychological structures in music : core research 1980-1990; John A. Sloboda --; Aural training : material and method; George Pratt --; Aspects of melody : an examination of the structure of Jewish and Gregorian chants; Yehezkel Braun --; Music, number and rhetoric in the early Middle Ages; John Stevens; Part IV : The interpretation of music.  Oratory and performance; Peter Seymour --; Present and past : intermediaries and interpreters; Wilfrid Mellers --; Performance practice studies : some current approaches to the Early Music phenomenon; Peter Williams --; Renaissance attitudes to performance : a contemporary application; Anthony Rooley --; Musical instruments and performers of the past; Francis Baines --; Pst ... Pst ... are you listening? Hearing voices from yesterday; Istvan Anhalt --; Historical approaches to violin playing; Duncan Druce --; Vocal consort style and tunings; Rogers Covey-Crump --; Authentic pronunciation for Early Music; Alison Wray --; Liturgical reconstructions : an apologia and some guidelines; Graham Dixon -- "Anthemes for Versus and Chorus ... apt for Viols and Voyces" : the development of the English consort anthem, with some approaches to performance practice; John Bryan -- "An Addicion of Wyer Stringes beside the Ordenary Stringes" : the origin of the baryton; Peter Holman --; Producer for Early Music : a cog in the mechanism of musical life; Klaus L. Neumann --; Lutoslawski and a view of musical perspective; Philip Wilby; 2
ER  -