TY  - BOOK
AU  - Bearden,Elizabeth B.
TI  - The emblematics of the self: ekphrasis and identity in Renaissance imitations of Greek romance 
SN  - 9781442696143
AV  - PN56 .E435 2012
PY  - 2012///
CY  - Toronto [Ont.
PB  - University of Toronto Press
KW  - European literature
KW  - Renaissance, 1450-1600
KW  - History and criticism
KW  - Greek influences
KW  - Identity (Philosophical concept) in literature
KW  - Ekphrasis
KW  - Electronic Books
N1  - 2; Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance --; Chapter Two Converso Convertida: Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea --; Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia --; Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles --; Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis --; Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania --; Conclusions; 2; b
N2  - The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682843&site=eds-live&custid=s3260518
ER  -