The Virgin Mary and Catholic identities in Chinese historyJeremy Clarke, SJ.

By:

Clarke, Jeremy, 1969- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789888180998
9888180991

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

DS666 .V574 2013

Online resources:

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Available additional physical forms:

Contents:

Subject: How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	DS666.5 (Browse shelf(Opens below))	Link to resource	Available		ocn858763564

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Previous	DS665 The work of mothering : globalization and the Filipino diaspora /	DS666.5 The hybrid Tsinoys : challenges of hybridity and homogeneity as sociocultural constructs among the Chinese in the Philippines /	DS666.5 Diasporic cold warriors : nationalist China, anticommunism, and the Philippine Chinese, 1930s-1970s /	DS666.5 The Virgin Mary and Catholic identities in Chinese historyJeremy Clarke, SJ.	DS666.6 Wisdom from a Rainforest : the Spiritual Journey of an Anthropologist.	DS674 Forced migration in the spanish pacific world	DS674 Philippine confluence : Iberian, Chinese and Islamic currents, c. 1500-1800 /	Next

Description based upon print version of record.

Includes bibliographies and index.

Illustrations; Acknowledgements; Introduction: Chinese Catholic identities in the modern period; Part 1: Images of Mary in China before 1842; 1. Chinese Christian art during the pre-modern period; Part 2: The Chinese Catholic Church since 1842; 2. After the treaties; 3. Our Lady of Donglu; 4. The rise and fall of the French protectorate; Part 3: Images of Mary in the early twentieth century; 5. The Furen art department; 6. The Chinese dimension to the Furen Christian art; Conclusion; Notes; Bibliography; Index; Plates

How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol.

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