Rhymin' and stealin' : musical borrowing in hip-hop / Justin A. Williams.

By:

Williams, Justin A [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781299782426
9780472029396

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

ML3531 .R496 2013

Online resources:

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Available additional physical forms:

Contents:

Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Index.

Subject: Rhymin' and Stealin' Musical Borrowing in Hip-Hop, Dr Williams uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	ML3531 (Browse shelf(Opens below))	Link to resource	Available		ocn857428780

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Previous	ML3531 The mark of criminality : rhetoric, race, and gangsta rap in the war-on-crime era /	ML3531 Break beats in the Bronx rediscovering hip-hop's early years /	ML3531 Hip hop beats, indigenous rhymes : modernity and hip hop in indigenous North America /	ML3531 Rhymin' and stealin' : musical borrowing in hip-hop /	ML3532 Time and memory in reggae music the politics of hope /	ML3534 Just around midnight : rock and roll and the racial imagination /	ML3534.3 We were going to change the world : interviews with women from the 1970s and 1980s Southern California punk rock scene /	Next

Includes bibliographies and index.

Introduction -- Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Index.

Rhymin' and Stealin' Musical Borrowing in Hip-Hop, Dr Williams uses examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others to show that the transformation of pre-existing material is the fundamental element of hip-hop aesthetics.

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