Contemporary comics storytelling /Karin Kukkonen.

By:

Kukkonen, Karin, 1980- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781461937210
9781299775039
9780803248502

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN6710 .C668 2013

Online resources:

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Available additional physical forms:

Contents:

Textual traditions in comics: fables, genre, and intertextuality -- Fictionality in comics: Tom Strong, storyworlds, and the imagination -- Fictional minds in comics: 100 bullets, characterization, and ethics.

Subject: Applying a cognitive approach to reading comics in all their narrative richness and intricacy, this book shares a perspective on how these works engage the legacy of postmodernism-its subversion, self-reflexivity, and moral contingency.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN6710 (Browse shelf(Opens below))	Link to resource	Available		ocn856590146

Browsing G. Allen Fleece Library shelves, Shelving location: ONLINE, Collection: Non-fiction Close shelf browser (Hides shelf browser)

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Previous	PN6710 Make It Yourself! Comics and Graphic Novels.	PN6710 You can do a graphic novel.	PN6710 Graphic novels /by Andrew Dale.	PN6710 Contemporary comics storytelling /Karin Kukkonen.	PN6714 Disaster drawn : visual witness, comics, and documentary form /	PN6714 Arresting development : comics at the boundaries of literature /	PN6714 Cultures of war in graphic novels violence, trauma, and memory /	Next

Includes bibliographies and index.

How to analyze comics cognitively -- Textual traditions in comics: fables, genre, and intertextuality -- Fictionality in comics: Tom Strong, storyworlds, and the imagination -- Fictional minds in comics: 100 bullets, characterization, and ethics.

Applying a cognitive approach to reading comics in all their narrative richness and intricacy, this book shares a perspective on how these works engage the legacy of postmodernism-its subversion, self-reflexivity, and moral contingency.

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