Celebrity, performance, reception : British Georgian theatre as social assemblage / David Worrall.

By:

Worrall, David [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781107417632

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN2593 .C454 2013

Online resources:

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Available additional physical forms:

Contents:

Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN2593 (Browse shelf(Opens below))	Link to resource	Available		ocn859537347

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Previous	PN2583 REED in review : essays in celebration of the first twenty-five years /	PN2590.93 Passionate playgoing in early modern England /Allison P. Hobgood.	PN2592 Treading the bawds : Actresses and playwrights on the Late Stuart stage.	PN2593 Celebrity, performance, reception : British Georgian theatre as social assemblage /	PN2595.132 Performing early modern drama todayedited by Pascale Aebischer and Kathryn Prince.	PN2596.6 London's West End actresses and the origins of celebrity charity, 1880-1920 /Catherine Hindson.	PN2596.6 Performing the temple of liberty : slavery, theater, and popular culture in London and Philadelphia, 1760-1850 /	Next

Includes bibliographies and index.

Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion.

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