Modern American drama in screen /edited by William Robert Bray and R. Barton Palmer.

Contributor(s):

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781107416390

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PS338 .M634 2013

Online resources:

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Available additional physical forms:

Contents:

by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PS338.67 (Browse shelf(Opens below))	Link to resource	Available		ocn857463335

Includes bibliographies and index.

Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.

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