Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic / Edwin C. Hill Jr.
Material type: TextSeries: Publication details: Baltimore : The Johns Hopkins University Press, (c)2013.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781421410609
- West Indian literature (French) -- History and criticism
- Sound (Philosophy)
- African diaspora in literature
- Black people -- West Indies, French -- Music -- History
- Beguines (Music) -- West Indies, French -- History
- Negritude (Literary movement)
- Soundscapes (Music) -- West Indies, French
- Poetics -- Language
- PQ3940 .B533 2013
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PQ3940.5 (Browse shelf(Opens below)) | Link to resource | Available | ocn857167626 |
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Includes bibliographies and index.
Introduction: Le tumulte noir (pt I): French imperial soundscapes and the New World -- "Adieu madras, adieu foulard": the Doudou's colonial complaint -- "To begin the Biguine": remembering Antillean musical time -- La Baker: Princesse Tam Tam and the Doudou's signature dilemma -- Negritude drum circles: the Tam-Tam and the beat -- Le poste colonial and technologies of the minor -- Conclusion: "Notes from the sound field."
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