Hart Crane's poetry : "Appollinaire lived in Paris, I live in Cleveland, Ohio" / John T. Irwin.
Material type: TextPublication details: Baltimore : Johns Hopkins University Press, (c)2011.Description: 1 online resource (448 pages)Content type:- text
- computer
- online resource
- 9781421403601
- PS3505 .H378 2011
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PS3505.272 (Browse shelf(Opens below)) | Link to resource | Available | ocn794700364 |
Includes bibliographies and index.
""Cover""; ""Contents""; ""Preface""; ""Part One. The Bridge""; ""1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins""; ""2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind""; ""3 Spengler�s Reading of Perspective as a Culture-Symbol""; ""4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco�s Agony in the Garden; the Grail; Dionysus and Jesus""; ""5 Counterpoint in The Bridge""; ""6 Foreshadowing and Lateral Foreshadowing; the Grail Quest.
Eliot�s The Waste Land""""7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification""; ""8 The Reversal of the Figures of Father and Mother in “Indiana�; Crane�s Dream of the Black Man by the River; Crane�s Quarrel with His Father; the Composition of “Black Tambourine�""; ""9 Crane�s Dream of His Mother�s Trunk in the Attic""; ""10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe�s Faust.
Platoâ€?s Cave Allegory as aSublimated Womb Fantasy Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Korē, and the Amerindian Corn Mother""; ""11 Building the Virgin; Craneâ€?s “To Libertyâ€?; Lazarusâ€?s “The New Colossusâ€?; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Korē the Virgin Mary and Queen Elizabeth I""; ""12 The Education of Henry Adams; Arnoldâ€?s “Stanzas from the Grande Chartreuseâ€?; Wandering between Two Worlds; Senecaâ€?s Medea; Whitman and the Rebound Seed""; ""13 “Three Songsâ€?; Golden Hair.
€œQuaker Hillâ€? and the Motherly Artist the Return of the Golden Age; Astraea and Atlantis""; ""14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain""; ""15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D.H. Lawrence as Influences on The Bridge; Waldo Frankâ€?s Our America and the Image of Submergence""; ""16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance""; ""17 The Aeneid, Book 6, and “The Tunnelâ€?
€œCutty Sarkâ€? and Glaucus in Ovid Burnsâ€?s “Tam oâ€? Shanterâ€?; Glaucus in Keatsâ€?s Endymion""; ""18 Time and Eternity in “Cutty Sarkâ€?; Stamboul Rose, Atlantis Rose, and Danteâ€?s Rose; Moby-Dick and “Cutty Sarkâ€?""; ""19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo""; ""20 Constellations and The Bridge""; ""21 Constellations Continued; Panis Angelicus""; ""22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; “Atlantisâ€?; One Arc Synoptic of All Times""
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