Murder made in Italy : homicide, media, and contemporary Italian culture / Ellen Nerenberg.
Material type: TextPublication details: Bloomington : Indiana University Press, (c)2012.Description: 1 online resource (xiv, 384 pages) : illustrations, mapsContent type:- text
- computer
- online resource
- 9780253012425
- 9781299636392
- P96 .M873 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | P96.852 (Browse shelf(Opens below)) | Link to resource | Available | ocn848917438 |
Includes bibliographies and index.
Introduction: making a killing -- Part 1. Serial killing. The "monster" of Florence: serial murders and investigation -- Monstrous murder: serial killers and detectives in contemporary Italian fiction -- "Penile" procedure: law and order in Dario Argento's cinema -- Part 2. Matricide and fratricide: Erika, Omar, and violent youth in Italy. Sono stati loro: Erika, Omar, and the double homicide of Susy Cassini and Gianluca de Nardo in Novi Ligure -- The raw and the cooked: transnational media and violence in Italy's cannibal pulp fiction of the 1990s -- Part 3. Filicide: the bad/mad mother of Cogne and violence against children. The yellow and the black: Cogne; or, crime of the century -- Spectacular grief and public mourning -- Unspeakable crimes: children as witnesses, victims, and perpetrators -- Epilogue: kiss me deadly.
Looking at media coverage of three very prominent murder cases, Murder Made in Italy explores the cultural issues raised by the murders and how they reflect developments in Italian civil society over the past 20 years. Providing detailed descriptions of each murder, investigation, and court case, Ellen Nerenberg addresses the perception of lawlessness in Italy, the country's geography of crime, and the generalized fear for public safety among the Italian population. Nerenberg examines the fictional and nonfictional representations of these crimes through the lenses of moral panic, media specta.
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