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Shadow woman : the extraordinary career of Pauline Benton / Grant Hayter-Menzies.

By: Material type: TextTextPublication details: Montreal : McGill-Queen's University Press, (c)2013.Description: 1 online resource (xx, 240 pages) : illustrations, portraitsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780773589094
  • 9780773542013
Subject(s): Genre/Form: LOC classification:
  • PN1982 .S533 2013
Online resources: Available additional physical forms:
Contents:
Shadow People -- Willow-Patterned Cathay -- The Red Gate Shadow Players -- Oriental Curiosities -- Shadows Pass -- World War -- Survival -- Cultural Revolution -- Shadow Woman -- Monkey King -- Epilogue -- Appendix: The White Snake.
Subject: "Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work"--Publisher's description
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1982.46 (Browse shelf(Opens below)) Link to resource Available on1037912370

Includes bibliographies and index.

Cultural Geographies -- Shadow People -- Willow-Patterned Cathay -- The Red Gate Shadow Players -- Oriental Curiosities -- Shadows Pass -- World War -- Survival -- Cultural Revolution -- Shadow Woman -- Monkey King -- Epilogue -- Appendix: The White Snake.

"Kansas-born Pauline Benton (1898-1974) was encouraged by her father, one of America's earliest feminist male educators, to reach for the stars. Instead, she reached for shadows. In 1920s Beijing, she discovered shadow theatre (piyingxi), a performance art where translucent painted puppets are manipulated by highly trained masters to cast coloured shadows against an illuminated screen. Finding that this thousand-year-old forerunner of motion pictures was declining in China, Benton believed she could save the tradition by taking it to America. Mastering the male-dominated art form in China, Benton enchanted audiences eager for the exotic in Depression-era America. Her touring company, Red Gate Shadow Theatre, was lauded by theatre and art critics and even performed at Franklin Roosevelt's White House. Grant Hayter-Menzies traces Benton's performance history and her efforts to preserve shadow theatre as a global cultural treasure by drawing on her unpublished writings, the recollections of her colleagues, the testimonies of shadow masters who survived China's Cultural Revolution, as well as young innovators who have carried on Benton's pioneering work"--Publisher's description

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