Disunified aesthetics : situated textuality, performativity, collaboration / Lynette Hunter.

By:

Hunter, Lynette [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780773589599

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PR9189 .D578 2014

Online resources:

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Available additional physical forms:

Contents:

part one Situated textualities. Commentary -- Opening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- Trying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- Learning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity.

Labour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- Face-work and Going to the End of the Line with Frank Davey's Writing -- The Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- The Rhetoric of Masking in Writing by Alice Munro.

Daphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- De-scribing Performance in bpNichol's Selected Organs -- Roget Falls in Love.

Subject: Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critics stance toward the written works with which they engage. Lynette Hunters performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian womens writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PR9189.6 (Browse shelf(Opens below))	Link to resource	Available		ocn864775054

Includes bibliographies and index.

Introduction -- part one Situated textualities. Commentary -- Opening Robert Kroetsch's The Puppeteer : Being Wedded to the Text -- Trying to Say Women's Writing in Canada: I Am a Very Dirty Critic -- Learning to Listen Indigenous Women's Writing in Canada: Presence, Rehearsal, and Performativity.

Part two Performativity. Commentary -- Labour Notes for "Bodies in Trouble" Susan Rudy and Lynette Hunter -- Face-work and Going to the End of the Line with Frank Davey's Writing -- The Inédit in Writing by Nicole Brossard: Breathing the Skin of Language -- The Rhetoric of Masking in Writing by Alice Munro.

Part three Collaboration. Commentary -- Daphne Marlatt's Poetics: What Is an Honest Man? and Can There Be an Honest Woman? -- De-scribing Performance in bpNichol's Selected Organs -- Roget Falls in Love.

Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critics stance toward the written works with which they engage. Lynette Hunters performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian womens writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar.

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