Gandhi meets primetime : globalization and nationalism in Indian television / Shanti Kumar.
Material type: TextSeries: Publication details: Urbana : University of Illinois, (c)2006.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780252091667
- PN1992 .G363 2006
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN1992.3.4 (Browse shelf(Opens below)) | Link to resource | Available | on1155483060 |
Includes bibliographies and index.
Introduction -- From Doordarshan to Prasar Bharati: the search for autonomy in Indian television -- At home, in the world: the viewing practices of Indian television -- Between tradition and modernity: the development of an Indian community of television -- "Gandhi meet Pepsi": nationalism and electronic capitalism in Indian television -- Nikki tonight, Gandhi today: television, globalization, and national identity -- Conclusion: is there an Indian community of television?
Shanti Kumar's "Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and able television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts. Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of India-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism.
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