Philip Kaufman /Annette Insdorf.
Material type: TextSeries: Publication details: Urbana : University of Illinois Press, (c)2012.Description: 1 online resource (xi, 159 pages)Content type:- text
- computer
- online resource
- 9780252093975
- PN1998 .P455 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN1998.3.3828 (Browse shelf(Opens below)) | Link to resource | Available | ocn817540258 |
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E185.93.56 Black women and politics in New York City /Julie A. Gallagher. | E359.5.3 Illinois in the War of 1812 /Gillum Ferguson. | PN1998.3.74 Dario Argento /L. Andrew Cooper. | PN1998.3.3828 Philip Kaufman /Annette Insdorf. | PN1995.9.47 Gender meets genre in postwar cinemasedited by Christine Gledhill. | GV885.515.37 The rise of the National Basketball Association /David George Surdam. | PN1998.3.544 Richard Linklater /David T. Johnson. |
Includes bibliographies and index.
An eye for an "I". Sexual and artistic freedom -- Male relationships and codes of honor -- Fallible perception and trust -- Interview with Philip Kaufman.
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway and Gellhorn (premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen._x000B__x000B_In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
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