Robert Ashley /Kyle Gann.
Material type: TextSeries: Publication details: Urbana : University of Illinois Press, (c)2012.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780252094569
- ML410 .R634 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | ML410.798 (Browse shelf(Opens below)) | Link to resource | Available | ocn961660389 |
Includes bibliographies and index.
Oh, how we misunderstand: introduction -- The vessel of the eternal present: the early years -- When slow starts to mean something, we crave fast: the once years -- Incredibly slowly our view begins to slide: the Mills College years -- I'm not the same person that I used to be: Perfect lives -- Who could speak if every word had meaning?: Atalanta (Acts of God) -- If you have to ask you can't afford one: Now Eleanor's idea -- One thing follows the next and I just do it: Dust, celestial excursions, concrete, and smaller pieces.
This work explores the life and works of the pioneering opera composer Robert Ashley, one of the leading American composers of the post-Cage generation. Ashley's innovations began in the 1960s when he, along with Alvin Lucier, Gordon Mumma, and David Behrman, formed the Sonic Arts Union.
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