Music in Germany since 1968Alastair Williams.

By:

Williams, Alastair [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781107055292
9781107058767

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

ML275 .M875 2013

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password

Available additional physical forms:

Contents:

and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation

Subject: Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	ML275.5 (Browse shelf(Opens below))	Link to resource	Available		ocn854971704

Browsing G. Allen Fleece Library shelves, Shelving location: ONLINE, Collection: Non-fiction Close shelf browser (Hides shelf browser)

Previous								Next
Previous	ML197 After Mahler : Britten, Weill, Henze, and romantic redemption /	ML200.5 Weird American music : case studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music /	ML248 Redefining Hungarian music from Liszt to Bartók /Lynn M. Hooker.	ML275.5 Music in Germany since 1968Alastair Williams.	ML286.2 Music in English Renaissance dramaedited by John H. Long ; contributors, Nan Cooke Carpenter ... [and others.	ML286.2 Musical creativity in restoration England /Rebecca Herissone.	ML288 Edinburgh's greatest hits : a celebration of the capital's music history /	Next

Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell

Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works -- and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation

Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index

Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.

Includes bibliographies and index.

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.