Shakespearean Gothic

By:

Desmet, Christy [Author]

Contributor(s):

Williams, Anne

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780708322628

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PR2976 .S535 2009

Online resources:

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Available additional physical forms:

Contents:

Subject: This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PR2976 .53 2009 (Browse shelf(Opens below))	Link to resource	Available		ocn723943616

Includes bibliographies and index.

Acknowledgements; List of Illustrations; List of Contributors; Introduction; Reading Walpole Reading Shakespeare; Ann Radcliffe, 'The Shakespeare of Romance Writers'; The Curse of Shakespeare; Shakespearean Shadows' Parodic Haunting of ThomasLove Peacock's Nightmare Abbey and Jane Austen'sNorthanger Abbey; Fatherly and Daughterly Pursuits:Mary Shelley's Matildaand Shakespeare's King Lear; Into the Madman's Dream: the Gothic Abduction ofRomeo and Juliet; Gothic Cordelias: the Afterlife of King Lear and theConstruction of Femininity; 'We are not safe':History, Fear and the Gothic inRichard III.

Remembering Ophelia: EllenTerry and theShakespearizing of Dracula'Rites of Memory': the Heart of Kenneth Branagh'sHamlet; Afterword: Shakespearean Gothic; Bibliography; Index.

This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind.

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