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Digital imaging in popular cinemaLisa Purse.

By: Material type: TextTextPublication details: Edinburgh : Edinburgh University Press, (c)2013.Description: 1 online resource (ix, 174 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780748646913
Subject(s): Genre/Form: LOC classification:
  • PN1993 .D545 2013
Online resources: Available additional physical forms:
Contents:
Subject: Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed inches.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1993.5.1 (Browse shelf(Opens below)) Link to resource Available ocn827955367

Includes bibliographies and index.

Cover; Copyright; Contents; Illustrations; Acknowledgements; Introduction; 1 Interpretation and the Digital; 2 Digital Imaging as Metaphor; 3 Digital Imaging and the Body; 4 Historicising the Digital; 5 Representation and the Digital; 6 The Digital in Three Dimensions; Conclusion; Bibliography; Filmography; Index.

Explores how film analysis can take account of the presence of digital images in cinemaDigital images are now ubiquitous elements within the cinematic frame but, as we analyse films or film moments, it can often be difficult to be sure how - and how much - to talk about digital elements. This accessible book demystifies the relationship of digital imaging to processes of watching and reading films, and gives scholars and students the tools to engage with digital imaging in cinema with ease. A wide-ranging series of case studies demonstrates how digital elements can be discussed and analysed inches.

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