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Practicing literary theory in the middle ages : ethics and the mixed form in Chaucer, Gower, Usk, and Hoccleve / Eleanor Johnson.

By: Material type: TextTextPublication details: Chicago ; London : University of Chicago Press, (c)2013.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780226015989
  • 9781299560963
Subject(s): Genre/Form: LOC classification:
  • PR275 .P733 2013
Online resources: Available additional physical forms:
Contents:
Formal experiments with ethical writing: prosimetrum and protrepsis -- Sensible prose and a sense of meter: Chaucer's aesthetic sentence in the Boece and Troilus and Criseyde -- The consolation of tragedy: protrepsis in the Troilus -- Prosimetrum and the Canterbury philosophy of literature -- Political protrepsis: Usk and Gower -- Hoccleve and the convention of mixed-form protrepsis -- Conclusion: a mixed-form tradition of literary theory and practice.
Summary: Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work's sociopolitical heft and meaning. In this work, Eleanor Johnson reveals that aesthetics - the formal aspects of literary language that make it sense-perceptible - are indeed inextricable from ethics in the writing of medieval literature.
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Includes bibliographies and index.

Formalism and ethics: the practice of literary theory -- Formal experiments with ethical writing: prosimetrum and protrepsis -- Sensible prose and a sense of meter: Chaucer's aesthetic sentence in the Boece and Troilus and Criseyde -- The consolation of tragedy: protrepsis in the Troilus -- Prosimetrum and the Canterbury philosophy of literature -- Political protrepsis: Usk and Gower -- Hoccleve and the convention of mixed-form protrepsis -- Conclusion: a mixed-form tradition of literary theory and practice.

Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work's sociopolitical heft and meaning. In this work, Eleanor Johnson reveals that aesthetics - the formal aspects of literary language that make it sense-perceptible - are indeed inextricable from ethics in the writing of medieval literature.

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