French origins of English tragedy

By:

Hillman, Richard [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781847793096

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PR2823 .F746 2010

Online resources:

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Available additional physical forms:

Contents:

Subject: Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600s. These include the self-destructive tragic hero, the apparatus of neo-Senecanism (including the Machiavellian villain) and the confrontation betwee.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PR2823 (Browse shelf(Opens below))	Link to resource	Available		ocn818847446

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Previous	PR2823 Everything you need to know about Shakespeare's MacBeth /by Jennifer Dykstra.	PR2823 Macbeth /by William Shakespeare.	PR2823 MacbethWilliam Shakespeare.	PR2823 French origins of English tragedy	PR2825 Shakespeare and the Jews /James Shapiro.	PR2825.2 The merchant of Venice /by William Shakespeare.	PR2827 A midsummer night's dream /	Next

Includes bibliographies and index.

9780719082764; 9780719082764; Copyright Page; Contents; Acknowledgements; Textual note; 1 Introduction; 2 On the generic cusp:Richard II, La Guisiade and the invention of tragic heroes; 3 Out of their classical depth:from pathos to bathos in early English tragedy; or, the comedy of terrors; 4 Staging the Judith jinx: heads or tales?; Works cited; Index.

Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600s. These include the self-destructive tragic hero, the apparatus of neo-Senecanism (including the Machiavellian villain) and the confrontation betwee.

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