Treading the bawds : Actresses and playwrights on the Late Stuart stage.
Material type: TextSeries: Publication details: Manchester : Manchester University Press, (c)2006.Description: 1 online resource (234 pages)Content type:- text
- computer
- online resource
- 9781847793638
- 9781781701935
- PN2592 .T743 2006
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN2592 (Browse shelf(Opens below)) | Link to resource | Available | ocn818847481 |
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Copyright; Contents; Series editors' foreword; Acknowledgements; Introduction; PART 1 Background; 1. In the company of women; 2. United we stand; 3. Control and influence on the Late Stuart stage; PART 2. The Players' Companyat Lincoln's Inn Fields; 4. New Moves, New Voices; 5. Competition and criticism; 6. Re-forming the stage; 7. Old stories, new histories; 8. Certainly not a conclusion; Bibliography; Index.
Drawing on feminist cultural materialist theories and historiographies,?Treading the bawds? analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player?s co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by.
Includes bibliographies and index.
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