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The poetry of Victorian scientists style, science and nonsense / Daniel Brown.

By: Material type: TextTextSeries: Publication details: Cambridge : Cambridge University Press, (c)2013.Description: 1 online resource (330 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781139625548
Subject(s): Genre/Form: LOC classification:
  • PR595 .P648 2013
Online resources: Available additional physical forms:
Contents:
Subject: The first study of poetry by Victorian scientists, a unique record of the nature and cultures of Victorian science.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PR595.33 (Browse shelf(Opens below)) Link to resource Available ocn824118080

Includes bibliographies and index.

Cover; Contents; Illustrations; Acknowledgements; Chapter 1 Professionals and amateurs, work and play: William Rowan Hamilton, Edward Lear and James Clerk Maxwell; Scientists and artists; Natural history and historic nonsense; Holotypes; 'Man's Place in Nature'; Knowledge from nonsense; Counterfactuals; 'The philosophy of toys'; Chapter 2 Edinburgh natural philosophy and Cambridge mathematics; Puns against pedantry; The Cambridge Mathematical Tripos; Punning machines; Analogies; Chapter 3 Knowing more than you think: James Clerk Maxwell on puns, analogies and dreams; The magazine of nature.

Causes and forces'The black rocks of Ontology'; 'Empty bubbles, floating upwards through the current of the mind'; Truth and beauty; Crystals; Chapter 4 Red Lions: Edward Forbes and James Clerk Maxwell; 'The Fate of the Do-do'; 'To the Chief Musician upon Nabla'; Metropolitans and North Britons; Glacial relations; Chapter 5 Popular science lectures: 'A Tyndallic Ode'; A science eisteddfod; A song from the Chief Musician: Tait's 1876 lecture on Force; 'Ice reduced to liquid flowers'; Sensation and science; Dark science and light; William Crookes; 'Sounding Flames, andc.'

Chapter 6 John Tyndall and 'the Scientific Use of the Imagination'Molecular machines and lascivious bodies; Tyndall's 'Scientific Imagination'; The Tyndallic 'fancy scientific'; The Tyndallic sublime; Chapter 7 'Molecular Evolution': Maxwell, Tyndall and Lucretius; 'Fortuitous embraces'; Atoms and associations; 'A swift metamorphosis'; Humean delirium; Chapter 8 James Joseph Sylvester: the romance of space; Projective geometry; 'Transcendental Space'; 'Still-more heaven-reaching theory'; Lost in space; Chapter 9 James Joseph Sylvester: the calculus of forms; Playing 'Syzygies'

Ut pictura poesis'Studies in Monochrome'; The Hypersyzygetic Canonico-meio-catalecticizant; Airs and graces; Chapter 10 Science on Parnassus; The Unseen Universe; The vortex atom soul; The space of speculation; Novels, hymns and a prayer; Gods and demons; Pleasure and poise; Notes; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Works cited; Unpublished materials; Published materials; Index.

The first study of poetry by Victorian scientists, a unique record of the nature and cultures of Victorian science.

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