Neobaroque in the Americas : alternative modernities in literature, visual art, and film / Monika Kaup.
Material type: TextSeries: Publication details: Charlottesville : University of Virginia Press, (c)2012.Description: 1 online resource (392 pages)Content type:- text
- computer
- online resource
- 9780813933146
- F1408 .N463 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | F1408.3 (Browse shelf(Opens below)) | Link to resource | Available | ocn867739337 |
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Includes bibliographies and index.
Introduction : Neobaroque alternative modernities -- Neobaroque Eliot : antidissociationism and the allegorical method -- The neobaroque in Djuna Barnes : melancholia and the language of abundance and insufficiency -- The Latin American antidictatorship neobaroque : allegories of history as catastrophe and performances of the wounded self in Diamela Eltit's Lumpérica and Jose Donoso's Casa de Campo -- Antidictatorship neobaroque cinema : Raul Ruiz's Mémoire des apparences and María Luisa Bemberg's Yo, la peor de todas -- Hemispheric genealogies of the new world baroque : early modern new world baroque and diasporic baroques in contemporary U.S. Latino/a art and culture.
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, the author examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, this book envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
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