Afro-Cuban Costumbrismo : From Plantations to the Slums.

Costumbrismo, which refers to depictions of life in Latin America during the nineteenth century, introduced some of the earliest black themes in Cuban literature. Rafael Ocasio delves into this literature to offer up a new perspective on the development of Cuban identity, as influenced by black culture and religion, during the sugar cane boom. Comments about the slave trade and the treatment of slaves were often censored in Cuban publications; nevertheless white Costumbrista writers reported on a vast catalogue of stereotypes, religious beliefs, and musical folklore, and on rich African trad.

Cover; Afro-Cuban Costumbrismo; Title; Copyright; Dedication; Contents; Preface: A Mulato Fino in the Twenty-First Century-A Personal Reflection; Acknowledgments; A Note on Translations; Introduction: Nineteenth-Century Costumbrista Writers on the Slave Trade and on Black Traditions in Cuba; 1. Cuban Costumbrista Portraits of Slaves in Sugarmills: Essays by Anselmo Suárez y Romero; 2. Juan Francisco Manzano's Autobiografía de un esclavo: Self-Characterization of an Urban Mulato Fino Slave; 3. Urban Slaves and Freed Blacks: Black Women's Objectification and Erotic Taboos.

4. The Costumbristas' Views of Manly Black Males: Uppity Blacks and Thugs5. Depictions of the Horrific "Unseen": Cuban Creole Religious Practices; Conclusion: Costumbrista Essays on Blacks: Nineteenth-Century Preconceived Notions of Civility; Notes; Bibliography; Index.

Includes bibliographies and index.

COPYRIGHT NOT covered - Click this link to request copyright permission:

https://lib.ciu.edu/copyright-request-form