Art and Book Illustration and Innovation.

By:

Stupples, Peter [Author]

Material type: Text

TextPublication details: Newcastle-upon-Tyne, UNKNOWN Cambridge Scholars Publishing 2016.Description: 1 online resource (197)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443899949

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

Z4 .A783 2016

Online resources:

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Available additional physical forms:

Contents:

Subject: Art has been as significant as text in the history of book design and production. This collection of papers examines the place of illustration and innovation, both conceptual and technical, in the relation of image to text in books of the twentieth and early twenty-first centuries, both in Europe and that outreach of European culture in the Pacific, New Zealand. Topics of the papers range from the work of Marcel Duchamp and Kazimir Malevich to the design of multimodal books and the early development of 3D printing.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	Z4 (Browse shelf(Opens below))	Link to resource	Available		ocn960042119

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Previous	VM465 Bluejackets in the blubber room a biography of the William Badger, 1828-1865 /	VM657 Engines of empire : steamships and the Victorian imagination /	Z4 Book conservation and digitization : the challenges of dialogue and collaboration /	Z4 Art and Book Illustration and Innovation.	Z40 Pen, print and communication in the eighteenth century /edited by Caroline Archer-Parre and Malcolm Dick.	Z41 EVENT OF SIGNATURE;JACQUES DERRIDA AND REPEATING THE UNREPEATABLE	Z52.4 Track changes : a literary history of word processing /	Next

Includes bibliographies and index.

List of Illustrations; Acknowledgements; Introduction; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Contributors

Art has been as significant as text in the history of book design and production. This collection of papers examines the place of illustration and innovation, both conceptual and technical, in the relation of image to text in books of the twentieth and early twenty-first centuries, both in Europe and that outreach of European culture in the Pacific, New Zealand. Topics of the papers range from the work of Marcel Duchamp and Kazimir Malevich to the design of multimodal books and the early development of 3D printing.

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