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Papal Bull Print, Politics, and Propaganda in Renaissance Rome / Margaret Meserve.

By: Contributor(s): Material type: TextTextSeries: Publication details: Baltimore, Md. : Project MUSE, 0000.Description: 1 online resource (1 volume) : illustrations (black and white)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781421440453
Subject(s): Genre/Form: LOC classification:
  • Z156 .P373 2021
Online resources: Available additional physical forms:
Contents:
Urbi et orbi -- Humanists, Printers, and Others -- Sixtus IV and his Pamphlet Wars -- Broadsides in Basel -- The Holy Face, Imprinted and in Print -- Refugee Relics -- Kissing the Papal Foot -- Brand Julius -- Conclusion.
Subject: "This work of history examines how the Renaissance popes adopted print as a medium for political discourse in the first decades after the technology's invention (ca. 1470-1520). Drawing on literary and material analyses of dozens of little-known incunabula and early sixteenth-century editions, this study argues that the Renaissance papacy was an early adopter of print and keenly attuned to its political potential"--
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction Z156.7 (Browse shelf(Opens below)) Link to resource Available on1262797119

Includes bibliographies and index.

Introduction -- Urbi et orbi -- Humanists, Printers, and Others -- Sixtus IV and his Pamphlet Wars -- Broadsides in Basel -- The Holy Face, Imprinted and in Print -- Refugee Relics -- Kissing the Papal Foot -- Brand Julius -- Conclusion.

"This work of history examines how the Renaissance popes adopted print as a medium for political discourse in the first decades after the technology's invention (ca. 1470-1520). Drawing on literary and material analyses of dozens of little-known incunabula and early sixteenth-century editions, this study argues that the Renaissance papacy was an early adopter of print and keenly attuned to its political potential"--

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