Transnationalism and genre hybridity in new British horror cinema /Lindsey Decker.
Material type: TextSeries: Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781786836991
- 9781786837004
- PN1995 .T736 2021
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN1995.9.6 (Browse shelf(Opens below)) | Link to resource | Available | on1242577698 |
Includes bibliographies and index.
Intro -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- List of Illustrations -- Introduction: Frights, Film Culture and Genre Hybrids -- 1. The 'Bastard Child of Mainstream Cinema' -- 2. The Golden Age of British Cinema is Undead -- 3. Hybrid Hoodie Horrors -- 4. 'A Famous Corpse' -- Conclusion: British Horror's Perpetually 'Dying Light' -- Notes -- References -- Filmography -- Index.
This book takes British horror films of the 2000s as a case study to theorise transnational genre hybridity, which combines genres from different national cinemas.
COPYRIGHT NOT covered - Click this link to request copyright permission:
There are no comments on this title.