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Challenging Women's Agency and Activism in Early Modernity /edited by Merry E. Wiesner-Hanks.

Contributor(s): Material type: TextTextSeries: Description: 1 online resource (314 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9048550939
  • 9789048550937
Subject(s): Genre/Form: LOC classification:
  • HQ1150 .C435 2021
Online resources: Available additional physical forms:
Contents:
Table of Contents -- Introduction -- Merry E. Wiesner-Hanks -- Part I: Choosing and Creating -- 1. Bad Habits and Female Agency -- Attending to Early Modern Women in the Material History of Intoxication -- Angela McShane -- 2. Setting up House -- Artisan Women's Trousseaux in Seventeenth-Century Bologna -- Joyce de Vries -- 3. Crafting Habits of Resistance -- Susan Dinan, Karen Nelson, and Michele Osherow -- Part II: Confronting Power -- 4. Confronting Women's Actions in History -- Female Crown Fief Holders in Denmark -- Grethe Jacobsen -- 5. Divisive Speech in Divided Times?
Caroline Boswell -- 6. Why Political Theory is Women's Work -- How Moderata Fonte Reclaimed Liberty for Women inside and outside Marriage -- Caroline Castiglione -- 7. 'Wrestling the World from Fools' -- Teaching Historical Empathy and Critical Engagement in Traditional and Online Classrooms -- Jennifer Selwyn -- Part III: Challenging Representations -- 8. Thinking Beings and Animate Matter -- Margaret Cavendish's Challenge to the Early Modern Order of Things -- Mihoko Suzuki -- 9. The Agency of Portrayal
Saskia Beranek and Sheila ffolliott -- 10. Marking Female Ocular Agency in the 'Medieval Housebook' -- Andrea Pearson -- Part IV: Forming Communities -- 11. Claude-Catherine de Clermont -- A Taste-Maker in the Continuum of Salon Society -- Julie D. Campbell -- 12. Religious Spaces in the Far East -- Women's Travel and Writing in Manila and Macao -- Sarah E. Owens -- 13. Accounting for Early Modern Women in the Arts -- Reconsidering Women's Agency, Networks, and Relationships -- Theresa Kemp, Catherine Powell, and Beth Link -- Index
Figure 1.1: Two eighteenth-century snuffboxes. Image Courtesy of John H Bryan II. -- Figure 1.2: Cowrie-shell snuffbox, dated 1748. Image courtesy of Yale University Art Gallery. -- Figure 1.3: Silver snuffbox. Image Courtesy of Yale University Art Gallery. -- Figure 1.4: Snuffbox with a female textile worker. Image courtesy of John H Bryan II. -- Figure 1.5: Snuffbox with phallic image. Photo: author. -- Figure 1.6: Engraved snuff-gourd. Image courtesy of John H Bryan II. -- Figure 1.7: Knitting sheath front face. Image courtesy of John H Bryan II.
Figure 3.1: Esther and Ahasuerus (1665) (c) Victoria and Albert Museum, London. -- Figure 3.2: 'A Heroine Forcibly Enters a Jail to Liberate a Hero', Freer Sackler accession S1986.399, Purchase-Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler, www.freersackler.si.edu/object/S19
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction HQ1150 (Browse shelf(Opens below)) Link to resource Available on1231608614

Includes bibliographies and index.

Cover -- Table of Contents -- Introduction -- Merry E. Wiesner-Hanks -- Part I: Choosing and Creating -- 1. Bad Habits and Female Agency -- Attending to Early Modern Women in the Material History of Intoxication -- Angela McShane -- 2. Setting up House -- Artisan Women's Trousseaux in Seventeenth-Century Bologna -- Joyce de Vries -- 3. Crafting Habits of Resistance -- Susan Dinan, Karen Nelson, and Michele Osherow -- Part II: Confronting Power -- 4. Confronting Women's Actions in History -- Female Crown Fief Holders in Denmark -- Grethe Jacobsen -- 5. Divisive Speech in Divided Times?

Women and the Politics of Slander, Sedition, and Informing during the English Revolution -- Caroline Boswell -- 6. Why Political Theory is Women's Work -- How Moderata Fonte Reclaimed Liberty for Women inside and outside Marriage -- Caroline Castiglione -- 7. 'Wrestling the World from Fools' -- Teaching Historical Empathy and Critical Engagement in Traditional and Online Classrooms -- Jennifer Selwyn -- Part III: Challenging Representations -- 8. Thinking Beings and Animate Matter -- Margaret Cavendish's Challenge to the Early Modern Order of Things -- Mihoko Suzuki -- 9. The Agency of Portrayal

The Active Portrait in the Early Modern Period -- Saskia Beranek and Sheila ffolliott -- 10. Marking Female Ocular Agency in the 'Medieval Housebook' -- Andrea Pearson -- Part IV: Forming Communities -- 11. Claude-Catherine de Clermont -- A Taste-Maker in the Continuum of Salon Society -- Julie D. Campbell -- 12. Religious Spaces in the Far East -- Women's Travel and Writing in Manila and Macao -- Sarah E. Owens -- 13. Accounting for Early Modern Women in the Arts -- Reconsidering Women's Agency, Networks, and Relationships -- Theresa Kemp, Catherine Powell, and Beth Link -- Index

List of figures and tables -- Figure 1.1: Two eighteenth-century snuffboxes. Image Courtesy of John H Bryan II. -- Figure 1.2: Cowrie-shell snuffbox, dated 1748. Image courtesy of Yale University Art Gallery. -- Figure 1.3: Silver snuffbox. Image Courtesy of Yale University Art Gallery. -- Figure 1.4: Snuffbox with a female textile worker. Image courtesy of John H Bryan II. -- Figure 1.5: Snuffbox with phallic image. Photo: author. -- Figure 1.6: Engraved snuff-gourd. Image courtesy of John H Bryan II. -- Figure 1.7: Knitting sheath front face. Image courtesy of John H Bryan II.

Figure 1.8: Knitting sheath rear face. Image courtesy of John H Bryan II. -- Figure 3.1: Esther and Ahasuerus (1665) (c) Victoria and Albert Museum, London. -- Figure 3.2: 'A Heroine Forcibly Enters a Jail to Liberate a Hero', Freer Sackler accession S1986.399, Purchase-Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler, www.freersackler.si.edu/object/S19

Figure 8.1: Margaret Cavendish, Poems, or several Fancies in Verse. With the Animal Parliament, in Prose (London: A. Maxwell, 1668), frontispiece. Engraving by Abraham von Diepenbeeck. 720.h.28. (c)British Library Board.4.

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