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Provenance and early cinema /edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe.

Contributor(s):

Material type: Text

TextSeries: Description: 1 online resource (viii, 420 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780253053008

Subject(s):

Art -- Provenance

Genre/Form:

Electronic Books.

LOC classification:

N3999 .P768 2021

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password

Available additional physical forms:

Contents:

Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul

Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints

Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez and Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market

19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies

25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps?

Subject: Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	N3999 (Browse shelf(Opens below))	Link to resource	Available		on1225552339

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Previous	N1030 Stewards of the nation's art : contested cultural authority, 1890-1939 /	N2477 Showcasing science : the history of Teylers Museum in the nineteenth century /	N3750.3 .384 2014 The Reception of Chinese Art Across Cultures.	N3999 Provenance and early cinema /edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe.	N4015.7 Canada in the frame : copyright, collections and the image of Canada, 1895-1924 /	N4395 Ephemeral Spectacles, Exhibition Spaces and Museums : 1750-1918.	N5201 Buying Baroque : Italian seventeenth-century paintings come to America /	Next

Description based upon print version of record.

Includes bibliographies and index.

Cover -- Title page -- Copy right -- Contents -- Domitor Series -- Précis -- Introduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- Part I. Studying Provenance: From Analog to Digital -- 1. Film Provenance: A Framework for Analysis -- 2. Origins: Early Films and Archival Collections -- 3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- 4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- 5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul

6. Shattered Provenance in the Digitization of Early Colorfilms -- Part II. Preservation and Collection -- 7. Dreaming in Color: The Image and the Artifact -- 8. Where Did the Costumes in Early Cinema Come From? -- 9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- 10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- 11. The Thanhouser Studio Filmography: Analysis and Extant Prints

12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- Part III. Circulation -- 13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- 14. What Made the Mechanicals Move? Postcards in Transit -- 15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- 16. Pathé Films in Brazil: The Archives of Marc Ferrez and Sons (1908-1916) -- 17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market

18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- 19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- 20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- Part IV. Repurposing -- 21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- 22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- 23. Flicker: Thom Andersen Takes Muybridge to the Movies

24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- 25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- 26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- 27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- Appendix: French Language Essay -- 28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- Appendix: French Language Essay -- 29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps?

Appendix: Dryden Theatre Screening Program.

Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

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