Contraband guides : race, transatlantic culture, and the arts in the Civil War era / Paul H. D. Kaplan.

By:

Kaplan, Paul H. D. (Paul Henry Daniel), 1952- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780271088228
9780271088204

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

N8232 .C668 2020

Online resources:

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Available additional physical forms:

Contents:

"A Mulatto sculptor from New Orleans" : Eugene Warburg in Europe, 1853-1859 -- "The black man to-day means liberty" : African American figures in the work of Emanuel Leutze -- "Something American" : art and slavery in the correspondence of John Ruskin and Charles Eliot Norton -- Old masters : the Western tradition of the visual arts in African American culture in the Civil War era -- Contraband guide : Mark Twain in race and the Renaissance.

Subject: "Explores the theme of race in nineteenth-century transatlantic culture, focusing on how American concepts of race were intertwined with the ongoing cultural exchanges that Americans had with European artistic traditions"--

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	N8232 (Browse shelf(Opens below))	Link to resource	Available		on1152995099

Includes bibliographies and index.

Representations of people of color in nineteenth-century American accounts of Italian travel -- "A Mulatto sculptor from New Orleans" : Eugene Warburg in Europe, 1853-1859 -- "The black man to-day means liberty" : African American figures in the work of Emanuel Leutze -- "Something American" : art and slavery in the correspondence of John Ruskin and Charles Eliot Norton -- Old masters : the Western tradition of the visual arts in African American culture in the Civil War era -- Contraband guide : Mark Twain in race and the Renaissance.

"Explores the theme of race in nineteenth-century transatlantic culture, focusing on how American concepts of race were intertwined with the ongoing cultural exchanges that Americans had with European artistic traditions"--

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