Amazon cover image
Image from Amazon.com

Lesbian cinema after queer theory /Clara Bradbury-Rance.

By: Material type: TextTextPublication details: Edinburgh : Edinburgh University Press, (c)2019.Description: 1 online resource (xiv, 194 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474435376
Subject(s): Genre/Form: LOC classification:
  • PN1995 .L473 2019
Online resources: Available additional physical forms:
Contents:
Subject: The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.9.48 (Browse shelf(Opens below)) Link to resource Available on1104843915

Includes bibliographies and index.

Intro; Lesbian Cinema after Queer Theory; Copyright; Contents; List of Figures; Acknowledgements; Preface; Introduction: Looking after Lesbian Cinema; 1 The Woman (Doubled): Mulholland Drive and the Figure of the Lesbian; 2 Merely Queer: Translating Desire in Nathalie ... and Chloe; 3 Anywhere in the World: Circumstance, Space and the Desire for Outness; 4 In-between Touch: Queer Potential in Water Lilies and She Monkeys; 5 The Politics of the Image: Sex as Sexuality in Blue Is the Warmest Colour; 6 Looking at Carol: The Drift of New Queer Pleasures; Conclusion: The Queerness of Lesbian Cinema; Notes; Filmography; Bibliography; Index.

The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.

COPYRIGHT NOT covered - Click this link to request copyright permission:

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.