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Make it the same : poetry in the age of global media / Jacob Edmond.

By: Material type: TextTextSeries: Publication details: New York : Columbia University Press, (c)2019.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231548670
Subject(s): Genre/Form: LOC classification:
  • PN1083 .M354 2019
Online resources: Available additional physical forms:
Contents:
Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry.
Subject: "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies --
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1083.42 (Browse shelf(Opens below)) Link to resource Available on1104227736

"In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies --

Includes bibliographies and index.

Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry.

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