Queer exceptions : solo performance in neoliberal times / Stephen Greer.

By:

Greer, Stephen, 1978- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781526113719

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1590 .Q447 2019

Online resources:

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Available additional physical forms:

Contents:

The martyr: dramaturgies of endurance, exhaustion and confession -- The pariah: queer outcasts and the politics of wounded attachment -- The killjoy: public unhappiness and theatrical scapegoats -- The stranger: performing 'out-of-placeness' in the UK and Europe -- The misfit: illness, disability and 'improper' subjects -- The optimist: alternatives in the here and now.

Summary: Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1590.39 (Browse shelf(Opens below))	Link to resource	Available		on1076271673

Queer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.

Includes bibliographies and index.

Locating solo performance -- The martyr: dramaturgies of endurance, exhaustion and confession -- The pariah: queer outcasts and the politics of wounded attachment -- The killjoy: public unhappiness and theatrical scapegoats -- The stranger: performing 'out-of-placeness' in the UK and Europe -- The misfit: illness, disability and 'improper' subjects -- The optimist: alternatives in the here and now.

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