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The gestures of participatory art /Sruti Bala.

By: Material type: TextTextPublication details: Manchester : Manchester University Press, (c)2018.Description: 1 online resource (x, 156 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781526107695
Subject(s): Genre/Form: LOC classification:
  • N7433 .G478 2018
Online resources: Available additional physical forms:
Contents:
Gestures of institutional critique -- On the inconvenient means and ends of participation -- Unsolicited gestures of participation -- Vicarious gestures of participation -- Delicate gestures of participation -- Conclusion: between image, act, body and language.
Summary: Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation and refusal, the book examines a range of artistic practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It proposes the concept of the gesture as a way of theorising participatory art, situating it between the visual and the performing arts, as both individual and collective, both internal attitude and social habitude.
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Includes bibliographies and index.

Gestures of institutional critique -- On the inconvenient means and ends of participation -- Unsolicited gestures of participation -- Vicarious gestures of participation -- Delicate gestures of participation -- Conclusion: between image, act, body and language.

Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation and refusal, the book examines a range of artistic practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It proposes the concept of the gesture as a way of theorising participatory art, situating it between the visual and the performing arts, as both individual and collective, both internal attitude and social habitude.

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