Amazon cover image
Image from Amazon.com

Pop-feminist narratives : the female subject under neoliberalism in North America, Britain, and Germany / Emily Spiers.

By: Material type: TextTextSeries: Publication details: Oxford, United Kingdom : Oxford University Press, (c)2018.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780192552846
  • 9780191860461
Subject(s): Genre/Form: LOC classification:
  • HQ1155 .P674 2018
  • HQ1221
Online resources: Available additional physical forms:
Contents:
Summary: This volume explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany and examines what feminist politics look like in the twenty-first century.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)

Includes bibliographies and index.

This volume explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany and examines what feminist politics look like in the twenty-first century.

Cover; Pop-Feminist Narratives: The Female Subject under Neoliberalism in North America, Britain, and Germany; Copyright; Acknowledgements; Contents; List of Illustrations; List of Abbreviations; Note about Translations; Introduction: Assembling the Narrative Threads; THIRD-WAVE AND POSTFEMINIST LEGACIES; POP-FEMINISM AND NEOLIBERALISM; SEXUALITY, TRANSGRESSION, AND AGENCY; 1: The Pop-Feminist Subject; KNOWING WHAT I (DO NOT) KNOW; THERE IS NO 'I' IN 'WE'; NARRATIVE SELVES AND COHERENCE; GENDER MELANCHOLIA AND RAGE; GENRE AND WRITING THE SELF

2: Postmodern Literature in North America: Tracing Pop-Feminism's Narrative ArcMAKING FICTION WITH KATHY ACKER; SHAPING ETHICAL NARRATIVES WITH MARY GAITSKILL; MAINSTREAMING THE TRANSGRESSIVE; RIOT GRRRL AND THE COMMODIFICATION OF FEMALE TRANSGRESSION; 3: North American Pop-Feminism in the Post-Digital Era; AUTOFICTION AND SELFHOOD: MAGGIE NELSON AND SHEILA HETI; 'EXCELLENT DANGER' AND QUEER NORMALIZATION: MICHELLE TEA; 4: British Pop-Feminism on the Literary Marketplace; UNPICKING THE LITERARY THREADS; MARKET-PLACE NARRATIVES; LITERARY 'BAD GIRLS' IN BRITAIN; HELEN WALSH'S BRASS

GWENDOLINE RILEY'S COLD WATERSCARLETT THOMAS'S THE END OF Mr. Y; POP-FEMINIST GUIDES IN BRITAIN; 5: German Pop-Feminism and Generational Narratives; LITERARY GENERATIONS AND GERMAN POP-LITERATURE; CHARLOTTE ROCHE'S FEUCHTGEBIETE; KERSTIN GRETHER'S ZUCKERBABYS; STRATEGIES OF RESISTANCE IN ALINA BRONSKY'S SCHERBENPARK [BROKEN GLASS PARK]; HELENE HEGEMANN'S AXOLOTL ROADKILL [AXOLOTL ROADKILL] AND ANTONIA BAUM'S VOLLKOMMEN LEBLOS BESTENFALLS TOT [PERFECTLY LIFELESS PREFERABLY DEAD]; Conclusion: Pop-Feminism and the Future; Bibliography; MANUSCRIPTS; PRINTED SOURCES; Primary Sources

Secondary SourcesFilms; Lectures, Audio, and Interviews; Index

COPYRIGHT NOT covered - Click this link to request copyright permission:

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.