Hip-hop in Africa : prophets of the city and dustyfoot philosophers / Msia Kibona Clark ; foreword by Quentin Williams ; afterword by Akosua Adomako Ampofo.
Material type: TextSeries: Publication details: Athens, Ohio : Ohio University Press, (c)2018.Description: 1 online resource (xxi, 266 pages) : illustrationsContent type:- text
- computer
- online resource
- 9780896805026
- ML3918 .H574 2018
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | ML3918.37 (Browse shelf(Opens below)) | Link to resource | Available | on1030304459 |
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Includes bibliographies and index.
Intro; Contents; Illustrations; Acknowledgments; 1: "Boomerang"; 2: "Understand Where I'm Coming From"; 3: "Lettre à Mr le Président"; 4: "Femme de Combat"; 5: "Make You No Forget"; 6: "Brkn Lngwjz"; Epilogue; By Way of an Afterword, by Akosua Adomako Ampofo; Appendix 1: Artist Interviews; Appendix 2: Companion Website; Notes; References; Index.
Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community.
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