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Cuban cultural heritage : a rebel past for a revolutionary nation / Pablo Alonso González ; foreword by Paul A. Shackel.

By: Contributor(s): Material type: TextTextSeries: Publication details: Gainesville : University Press of Florida, (c)2018.Description: 1 online resource (xiv, 335 pages) : illustrations, mapsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813052175
Genre/Form: LOC classification:
  • F1776 .C833 2018
Online resources: Available additional physical forms:
Contents:
Negotiating the past, representing the nation: the contested uses of heritage during the Republic (1898-1959) -- Heritage as passion: the early years of the Cuban Revolution (1959-1973) -- The institutionalization of the Cuban heritage field (1973-1990) -- The reification of ideology as heritage and the return of the nation between 1990 and 2014 -- The office of the city historian of Havana and the nation as heritage after 1990: a path towards reconciliation or towards touristification? -- The coloniality of heritage in postcolonial Cuba.
Subject: "Effectively analyzes the evolving shape of the heritage discourse across these periods and casts light on the nature of heritage production in socialist and postcolonial societies globally."--Paul B. Niell, author of Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754-1828"Aptly shows how cultural and historical heritage have played a key role during a century of deep social and political change in Cuba."--Carmen Ortiz García, Spanish National Research Council Cuban Cultural Heritage explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso Gonzalez delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction F1776 (Browse shelf(Opens below)) Link to resource Available on1015887734

"Effectively analyzes the evolving shape of the heritage discourse across these periods and casts light on the nature of heritage production in socialist and postcolonial societies globally."--Paul B. Niell, author of Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754-1828"Aptly shows how cultural and historical heritage have played a key role during a century of deep social and political change in Cuba."--Carmen Ortiz García, Spanish National Research Council Cuban Cultural Heritage explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso Gonzalez delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.

Introduction -- Negotiating the past, representing the nation: the contested uses of heritage during the Republic (1898-1959) -- Heritage as passion: the early years of the Cuban Revolution (1959-1973) -- The institutionalization of the Cuban heritage field (1973-1990) -- The reification of ideology as heritage and the return of the nation between 1990 and 2014 -- The office of the city historian of Havana and the nation as heritage after 1990: a path towards reconciliation or towards touristification? -- The coloniality of heritage in postcolonial Cuba.

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