Graffiti grrlz : performing feminism in the hip hop diaspora / Jessica Nydia Pabón-Colón.

By:

Pabón-Colón, Jessica Nydia [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781479847426

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

GT3912 .G734 2018

Online resources:

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Available additional physical forms:

Contents:

Subject: An inside look at women graffiti artists around the world. Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists' anonymity, graffiti subculture is seen as a "boys club," where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of "girl power." Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions.A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	GT3912 (Browse shelf(Opens below))	Link to resource	Available		on1034988725

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Previous	GT3490 Montagnards dans la mondialisation : réseaux diasporiques et mobilisations sociales dans l'Atlas (Maroc), les Highlands (Ecosse) et les Alpes françaises /	GT3510 Women and Economic Power in Premodern Royal Courtsedited by Cathleen Sarti.	GT3510 Courtly encounters translating courtliness and violence in early modern Eurasia /	GT3912 Graffiti grrlz : performing feminism in the hip hop diaspora /	GT4047.3 Claiming the streets processions and urban culture in South Wales, c. 1830-1880 /	GT4803 America's favorite holidays : candid histories /	GT4905 Encyclopedia of New Year's Holidays Worldwide	Next

Includes bibliographies and index.

An inside look at women graffiti artists around the world. Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists' anonymity, graffiti subculture is seen as a "boys club," where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of "girl power." Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions.A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

Intro; Half Title; Title Page; Copyright; Dedication; Contents; Timeline of Crews, Events, and Media; Foreword: Miss17; Introduction: "The Art of Getting Ovaries"; 1. Performing Feminist Masculinity in a Postfeminist Era; 2. Doing Feminist Community without "Feminist" Identity; 3. Cultivating Affective Digital Networks; 4. Re-Membering Herstory and the Transephemeral Performative; 5. Transforming Precarity at International All-Grrl Jams; Conclusion: Connecting One Graffiti Grrl to Another; Acknowledgments; Appendix: Blackbook; Notes; Bibliography; Index; About the Author

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