Animation, plasticity, and music in Italy, 1770-1830 /Ellen Lockhart.

By:

Lockhart, Ellen [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780520960060

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

ML1733 .A556 2017

Online resources:

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Available additional physical forms:

Contents:

Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion.

Subject: "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	ML1733.3 (Browse shelf(Opens below))	Link to resource	Available		on1001334312

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Includes bibliographies and index.

Introduction -- Dancing statues -- Pimmalione -- Defining Italy in haunted Rome -- Partial animacy and blind listening in Napoleonic Italy -- Giuditta pasta and the history of musical electrification -- Conclusion.

"This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher.

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