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La Parisienne in cinema : between art and life / Felicity Chaplin.

By: Material type: TextTextSeries: Publication details: Manchester : Manchester University Press, (c)2017.Description: 1 online resource (205 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781526109545
Subject(s): Genre/Form: LOC classification:
  • PN1990-1997 .L373 2017
Online resources: Available additional physical forms:
Contents:
Summary: Chic, sophisticated, seductive, and enigmatic, the Parisienne possesses a je ne sais quoi which makes her difficult to define. Who or what is the Parisienne and how she is depicted in cinema is the subject of this new and exciting book. In the first book-length publication to explore la Parisienne in cinema, Chaplin expands on existing scholarship on the Parisienne type in fields such as art history, literature, and fashion history, and builds on scholarship on the films discussed to both enrich and offer new perspectives on these films. Accessible and wide-ranging, this interdisciplinary and lively work will be of immediate interest to students and researchers working in Film Studies and French Studies and the broader humanities as well as a general interest audience. It is also essential reading for cinephiles and Francophiles alike.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1990-1997 (Browse shelf(Opens below)) Link to resource Available on1000048130

Includes bibliographies and index.

Chic, sophisticated, seductive, and enigmatic, the Parisienne possesses a je ne sais quoi which makes her difficult to define. Who or what is the Parisienne and how she is depicted in cinema is the subject of this new and exciting book. In the first book-length publication to explore la Parisienne in cinema, Chaplin expands on existing scholarship on the Parisienne type in fields such as art history, literature, and fashion history, and builds on scholarship on the films discussed to both enrich and offer new perspectives on these films. Accessible and wide-ranging, this interdisciplinary and lively work will be of immediate interest to students and researchers working in Film Studies and French Studies and the broader humanities as well as a general interest audience. It is also essential reading for cinephiles and Francophiles alike.

Cover; LA PARISIENNE IN CINEMA; Contents; Acknowledgements ; Introduction: 'What's she like?'; 1 Muse; 2 Cosmopolite; 3 Icon of fashion; 4 Femme fatale; 5 Courtesan; 6 Star; Conclusion: 'Look, let's start all over again. What's she like?'; Films cited; References; Index.

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