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The sword and the pen women, politics, and poetry in sixteenth-century Siena / by Konrad Eisenbichler.

By: Material type: TextTextLanguage: English, Italian Original language: Italian Publication details: Notre Dame, Ind. : University of Notre Dame Press, (c)2012.Description: 1 online resource (400 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780268078652
Subject(s): Genre/Form: LOC classification:
  • PQ4103 .S967 2012
Online resources: Available additional physical forms:
Contents:
At Petrarch's tomb: the first bloom of a short springtime -- Aurelia Petrucci: admired and mourned -- Laudomia Forteguerri: constructions of a woman -- Virginia Salvi: an indomitable woman -- Epilogue -- Appendix: selected poetry by Sienese women. Ermellina Arringhieri de' Cerretani; Francesca B; Pia Bichi; Ortensia Scarpi; Atalanta Donati; Laudomia Forteguerri; Lucrezia Figliucci; Cassandra Petrucci; Silvia Piccolomini; Virginia Martini Casolani Salvi -- Onorata Tancredi Pecci.
Subject: "In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe. This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies."--Project Muse.
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Includes analysis and reproduction of many poems in Italian and modern English translation.

Introduction -- At Petrarch's tomb: the first bloom of a short springtime -- Aurelia Petrucci: admired and mourned -- Laudomia Forteguerri: constructions of a woman -- Virginia Salvi: an indomitable woman -- Epilogue -- Appendix: selected poetry by Sienese women. Ermellina Arringhieri de' Cerretani; Francesca B; Pia Bichi; Ortensia Scarpi; Atalanta Donati; Laudomia Forteguerri; Lucrezia Figliucci; Cassandra Petrucci; Silvia Piccolomini; Virginia Martini Casolani Salvi -- Onorata Tancredi Pecci.

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Includes bibliographies and index.

"In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe. This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies."--Project Muse.

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