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The sitcom reader : America re-viewed, still skewed / edited by Mary M. Dalton and Laura R. Linder.

Contributor(s): Material type: TextTextPublication details: Albany : State University of New York Press, (c)2016.Edition: Second editionDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781438461328
Subject(s): Genre/Form: LOC classification:
  • PN1992 .S583 2016
Online resources: Available additional physical forms:
Contents:
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1992.8.66 (Browse shelf(Opens below)) Link to resource Available ocn949930324

Includes bibliographies and index.

Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes.

6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show.

The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes.

13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion.

Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will and Grace: (Heterosexual) Pairings and the On-screen Kiss.

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